The Dead at Allstate

The Dead were really good at Allstate, though it wasn't completely satisfying, not in the same way that the good old Grateful Dead was. I'm glad the Chicago shows were near the end of the tour, which gave the boys plenty of time to get it together. It would be great if they made this a regular thing, hitting road two or three times a year. It's the only way they'd fix the few problems that remain. The chemistry is there, it's just not complete. The only way to fix this is to play and play and play together regularly.

I also wish they hadn't wound up the second show with I Know You Rider. It was ridiculously predictable, after they skipped it on the opening night. For me, it kind of ended things on a bum note. I like to be surprised. Once they turned the corner into the song, I knew the show was over, and the Brokedown encore just made it worse. Dancin' and Weather Report Suite were the highlights of the second show. The China Cat/Born Cross-Eyed opener was the highlight of the first night.

All in all, not bad, but not the same. I suppose I need to get over it, but honestly, Ratdog has done more for me than any of the post-Jerry bands. It's not that the post-Jerry Dead is bad. They just don't play together enough to be really great.

Anyway, that's just my opinion. I'm sure there are many many Deadheads who disagree.

The Definitive Kris Kristofferson

Sorry for the lack of posts lately. I've been insanely busy with work, trying to hold onto a job that sometimes drives me nuts, but at least pays the bills. Overall I like it but with all the cutbacks and cost-cutting measures of late, it's been difficult trying to pick up the slack for the missing bodies.

Enough about that, though. I was catching up on my magazines last night, and I ran across an absolutely amazing piece on Kris Kristofferson that appeared in Rolling Stone a few issues back. Unfortunately, only a portion of the article is online, but you get the drift. It's worth seeking out the full article. It's written by Ethan Hawke, no less, who turns his super-fandom into a wonderfully entertaining article. It's great, too, that Rolling Stone saw fit to publish the piece, considering that Kristofferson, while still highly respected in some circles, has fallen back into the counterculture.